Vatikan İtalya - Bari - Roma - Pompeii - 2010
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San Gimignano - CAN AKIN
Toscana bölgesinde etrafı surlarla çevrili,çok iyi korunmuş olan bir ortaçağ kasabasıdır. "Ortaçağın Manhattanı" denilmektedir aynı zamanda. 12 ve 13.yüzyıllarda yapılmış olan kulelerden günümüze dek 14 tanesi ayakta kalabilmiştir.
Bölgenin "Vernaccia" adlı beyaz şarabı meşhurdur.
San Gimignano is a small walled medieval hill town in the province of Siena, Tuscany, north-central Italy. It is mainly famous for its medieval architecture, especially its towers, which may be seen from several kilometers outside the town.
The town also is known for the white wine, Vernaccia di San Gimignano, grown in the area.
Mask of Infamy
The Medieval Torture Museum
San Gimignano, Italy
The mask of infamy brings about two different inflictions: a spiritual one and a physical one. The victims were both staked out to public ridicule and at the same time they were physically tortured. The masks sometimes had inner devices, such as a ball, which were forced into the victim's nose or into the mouth, thus preventing him or her from wailing and shrieking.
The mask with long ears represented a silly ass person, while the one with a snout or with a pig face symbolizes the animal being considered dirty.
This instrument was made of two little forks, one set against the other and of which the points rammed into the flesh under the chin and over the chest.
A little collar supported the instrument to prevent any movement of the victim. The forks did not penetrate into vital points, prolonging suffering before death.
Obviously, the victim's hands were tied behind his back.
It takes its name from its inventor, the French physician Ignace Guillotine. Among all the instruments we have taken into consideration, this is the most symbolic one.
Some engravings, mainly German ones, represent this beheading machine by means of a blade that falls between two vertical, parallel columns, since several centuries before 1789.
The victim was hung by an iron belt surrounding his upper waist, he was bound hand and foot, his legs were kept slightly open by a stick in such a way that he could only move them at the same time. He was hoisted over a pointed pyramid put on top of a rack. His legs were stretched out frontwards and joined with a rope at his ankles. The victim was lowered onto the pyramid point that penetrated into the anus or vagina. Thus the victim, with his muscles contracted, couldn't relax and fall asleep.
The name of this instrument seems to have its origin from a prototype that was built in the town of Nuremberg. It is also said that this sort of sarcophagus had a maiden face carved on its front door probably aimed at making this horrible container look more refined.
The sarcophagus was fitted with spikes on the inside that pierced different parts of the body but never transfixed vital organs in order to keep the victim alive, hanging upright.
The device would be opened both from the front and from the back side without the victim being able to get out. The container was so thick that no shriek could be heard from outside unless the doors were opened.
When the sarcophagus doors were shut back, the spikes penetrated the same parts of the body and into the same wounds as before, inflicting a long and cruel agony.
This instrument had widespread diffusion all over Europe. The saw was inflicted for a great variety of crimes (rebellion, witchcraft, military disobedience), probably owing to its being easily found in all houses so enabling a quick execution.
As we can see from a series of printings and engravings of that period, the victim was hung in an inverted position in order to assure sufficient oxygenation of the brain and to slow down the general loss of blood so that he didn't lose consciousness at once, thus to inflict a longer suffering before death struck.
This device has a Spanish name because it was improved in Spain where it became the official instrument of capital punishment and remained in use until 1975, when the last to be executed was a young student later to be found innocent.
This instrument has very ancient origins. It was originally made of a pole driven in the ground and a rope to tie up round the victim's neck.
This sort of torture was used all over the world. The Spanish version was perfected for this instrument to be used for execution. It had an iron collar that had an iron on its rear which penetrated the cervical vertebrae in a way that the convict died both for asphyxiation and because the spinal cord was crushed.
Rectal, Oral, and Vaginal Pear
The Medieval Torture Museum
San Gimignano, Italy
Its name comes from its shape. This instrument had a screw mechanism by which it was progressively expanded to the maximum aperture of the two or three elements it was made of.
This instrument was forced into the mouth or rectum of male victims and into the vagina of female victims. The oral, rectal, or vaginal pear was inflicted on people guilty of sodomy, on women guilty of adultery, people guilty of incest or sexual union with Satan, and it was also inflicted on heretical preachers and blasphemers.
This torture has in itself the implicit idea of inflicting punishment that was opposite to the kind of crime one had been charged with.
The Chastity Belt
The Medieval Torture Museum
San Gimignano, Italy
This instrument dates back to 1400, when it appears in Italy under Francesco II from Carrara. It was mostly used in Italy, but it suddenly spread all over France as well.
There have always been three different interpretations about its possible use. Some historians even state that the chastity belt was not an instrument aimed at inflicting suffering but on the contrary a particular device to prevent women (for example when their partner was away for a long time) from the possible risk of being raped. As chastity belts were mostly made of precious materials (inlaid silver with engravings), some historians assert they were given to women as a present from their husbands or lovers in order to encourage them to be faithful.
The Inquisitional Chairs
The Medieval Torture Museum
San Gimignano, Italy
All of them have common characteristics, in that they are covered with spikes on the back, on the arm-rests, on the seat, on the leg-rests, and on the foot-rests.
It's easy to comprehend the effect of the spikes piercing the victim's body made even more effective by a screw bar system to immobilize the victim and make the pins penetrate more deeply.
The bars, either made of iron or wood, fastened the victim around the waist, around the wrists, and around the chest or bust.
The seat was often made of iron that could be heated. These implements were used in Germany up until the 19th century, in Italy and in Spain up until the end of the 1700s, in France and in other central European countries, according to certain sources, up until the end of 1800.
Cat's Paw or Spanish Tickler
The Medieval Torture Museum
San Gimignano, Italy
This instrument looks very much like a cat's paw with very long and sharp claws. It was brutally used to rip the victim's flesh to shreds. Because of the dimension of the claws, muscles and bones were no obstacle in this barbaric practice. It was, of course, inflicted on victims tied up hand and foot.
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E – BOOK: "ASK" SENI SEVIYORUM - SIIR KITABI - CAN AKIN
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E – BOOK: BALIKESIR DE GAZI ECE AMCA VE BEN – OYKU KITABI - CAN AKIN
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8 ULKEDE SERGILENEN, TURKIYE, ISTANBUL, GIRESUN, ZONGULDAK, ANKARA (4), MUGLA, IZMIR (2), SAMSUN -
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